Each pieces contains the expression of a clear emotional state. The concert starts with Joy  and then leads the audience through the emotions of Sadness, Anger and finally returns to  Joy.

It is quite easy to describe a general state like those mentioned above. However, I have repeatedly found that it is difficult for people to describe the nuances of each of these feelings. The major emotional groups contain so many subtleties, that it is vitally important to master its vocabulary in order to become as close as possible to our senses.

For example, the Joy, described in the works of Henrik Strindberg and Cassandra Miller, has two very distinct facets. The first evokes lightness, radiance, speed, while the latter is more about serenity, calm and gratitude. We can therefore see that even though both compositions reflect joy, they offer a very different meaning.

The chaconne is an emblematic work from the violin repertoire. The evocation of sadness in Bach masterpiece is incredibly diverse. Whether afflicted, despaired or shaken and lonely, each variation gives way to new and distinct nuances. The central part is about acceptance. Tenderness turns into courage and then, after many emotions, we are lead to ecstatic wonder, we even forget the mention of loneliness. but this will only last for a while before sadness reappears.
While maintaining the narrative line of the concert, it is placed in the programme as a bridge between the past and the future through the Lorenzo Bianchi-Hoesch composition La nuit rouge (de ses paupières).